Monthly Archives: October 2009

THE DIY AUTHOR RETURNS

What To Do When the Mainstream Yawns (and Spends): Pt 2

Often when talking to Seth Harwood (see last column) I’ve been struck (again) by the fact that  American writers are forced to adjust to a publishing industry that has removed authors from the top of the hierarchy and told them to be grateful to be stuck at the bottom.

I’m not talking about the small number of blockbuster authors who pay all the bills.

In fact, the few stars who remain on top seem to encourage publishing excesses like the shamefully overdone Random House book launch for Dan Brown in New York a while ago.

Dan Brown Party

At that party, waiters bedecked in George Washington wigs served lobster BLTs and other expensive noshes to a few hundred guests while “theatrical lighting [was] rigged up under the massive ovoid dome of the former bank that now houses Gotham Hall,” observed New York magazine (see photo at right).

Surrounding this “most lavish publishing cocktail party in a long time” were signs about saving money, such as this wordy mouthful (quoted by the New York Observer): “There is no gain so sure as that which results from economizing what you have.”  (I see. Waiter, could I have another scallop?)

And this one: “Having little, you cannot risk loss; having much, you should the more carefully protect it.”

Protect it? Heavens, you could increase a thousand Random House advances by cutting out the gazpacho shooters alone.

Back to Seth Harwood

No, I’m talking about the talented unknowns and hardworking mid-range authors who need to be nurtured and given time to find their audience but are still getting low advances and dismissive  treatment.

(One has to ask, what are publishers thinking? It’s not healthy for the book industry when a writer who lucks out like Dan Brown is “the only guy who’s in the running,” as the Los Angeles Times observed. “The movie industry couldn’t survive on Meryl Streep alone; the publishing industry might benefit from nurturing more of its own demi-stars to fill out the program.”)

So I thought there was hope when I first heard about up-and-coming authors like  Seth Harwood, a writer with so many rejection slips from the New York mainstream that  he built an audience from zero readers to about 80,000 by podcasting his unpublished book, “Jack Wakes Up,”  with his own equipment in a closet at home — and giving it away free on iTunes. Continue reading

THE DIY AUTHOR

What To Do When the Mainstream Yawns: Part 1

Seth Harwood is the kind of Internet techno-whiz that fuddy-duddy types like me are scared of.

He’s so knowledgeable about podcasting, video-posting, eBook-pricing,  iPhone-apping and what is now called (nostalgically by everyone but me) “the Amazon Rush” that I wanted to run the other way.

Then I read his fiction and became a Seth Harwood fan. Then I watched his video and became a Seth Harwood student.

You can see why Seth is in the vanguard of a new writers’ movement by taking a look at the instructive interim video he made some months ago (see it below on my very own blog! and thank you, Seth, for permission).

Here we learn that no matter how many rejections slips you’ve received or how unknown you are as a new writer, you can create that elusive “platform” that mainstream publishers (so cowardly!) insist authors must bring to the table. And you can build an audience that grows into the tens of thousands.

The first step, says Seth, is to make a podcast of your manuscript (before it’s ever published) and give it away. “Think of a podcast as a free, serialized audiobook,” he says.

With a minimum of equipment, a little music and a lotta passion (plus some blankets absorbing echo-chamber sounds in your closet), you can produce a quality narration that equals anything on Audible.com, and again, you do this long before your manuscript comes out in any kind of print version.

Seth did this one chapter at a time with his detective novel, “Jack Wakes Up,” which he followed by two other “Jack” books in the series. He placed each chapter as a freebie podcast on iTunes, thus tapping into an engaged audience that loves to hear edgy stuff and Tweet about it like mad. Continue reading